Sunday, May 24, 2015

Henrietta Shore: California Modernist

Henrietta Shore Huntington Art Collection
As an art historian and appraiser with a specialization in California art -- I am always looking for paintings by interesting women artists during the modern period. One of my favorite modernists is Henrietta Shore.

Henrietta Mary Shore (1880-1963) was born in Toronto, Canada. When she decided to be an artist, she went to New York City to gain an art degree. She attended The Art Students League and learned American realist painting under the mentorship of the great artists Robert Henri and William Merritt Chase. Shore also travelled to London to attend Heatherly Art School as a student of John Singer Sargent. She learned her foundations of art from some of the very best 20th century American artists.

Shore was a founding member of the New York Society of Women Artists. But rather than continuing with realism she began exploring modernism. Often likened to Georgia O'Keeffe of the same period, she had a style that also used bold colors, sinuous lines and foreshortening. Henrietta Shore also happened to be interested botanical studies. Her work is now known as Abstract Realism.

In 1913, Shore was bewitched by Los Angeles and moved there. She was a founder of the Los Angeles Society of Modern Artists. West Coast modernists of the period included Mabel Alvarez, Belle Baranceanu, Elanor Colburn, and Helen Lundeberg, who explored technique, color, and composition-- but continued to paint realist subjects. Shore won a silver medal at the 1915 Pan-American Exposition in San Diego. She and her colleague, Helena Dunlap partook in a two-person exhibition at the Los Angeles County Museum (LACMA).

Shore’s had earned a strong reputation as an artist and a retrospective of her work was held at the Worcester Art Museum in Massachusetts. In 1924, she was chosen to be one of 25 American women represented women in Paris' exhibition. She also traveled to Mexico where she painted portraits of the famous artists Jose Orozco, Jean Charlot, and others. 

Upon returning to California, Henrietta Shore met photographer Edward Weston who made series of photographs based on Shore’s paintings. Shore eventually settled in Carmel, CA and continued to paint. During the Great Depression, Shore worked for the Treasury Relief Art Project and completed murals at the Monterey post office and another at the Santa Cruz post office.

Contact us with any artworks you think might be paintings by Henrietta Shore.

Wednesday, May 6, 2015

Robert Henri and his California Sojourn


The paintings of Robert Henri bewitched me into the world of art history as a young student. From his opulent portraits of wealthy industrialists to gritty depictions of New Yorkers like the sensuous Salome (below) his work beguiles viewers with truthful portrayals of turn-of-the-century America.

Copyright: Salome, 1909, John and Mable Ringling Museum of Art, Sarasota, Florida

Robert Henri was educated at the Pennsylvania Academy of the Fine Arts in Philadelphia and eventually became a teacher and trailblazer of American Realism painting. Henri became known as the father of the Ashcan School of painters, a group of artists who included John Sloan, William Glackens, George Luks, and Everett Shinn. Known as The Eight, they rejected the confines of the National Academy of Design began painting images of real life in New York and Pennsylvania.

Copyright: Gertrude Vanderbilt Whitney Whitney Museum of American Art:

In 1888 Henri travelled to Europe where he was exposed to the subject, colors, and minimalism of the modernists. After have establishing himself as an esteemed portraitist, Henri travelled to California in 1914 with his wife, the artist Marjorie Henri. 

The recent exhibition at the Laguna Art Museum focuses on this period of work and is one of the most interesting exhibition I have seen in a long time. Robert Henri's California Realism, Race, and Region 1914-1925 explores Henri's painting done in La Jolla, Los Angeles, and San Francisco. 

Henri was tantalized by the region. This is most glaringly seen in his inspired palette of bright yellows, vibrant greens, and sparkling blues -- instead of his trademark oil paint done in browns and black used in his East Coast works. 

What is most interesting about Henri's West Coast work is his pursuit of real-life characters for his portraits. Instead of painting wealthy patrons he was intrigued by everyday people -- like the local Mexicans, Native Americans, African Americans, and Chinese of Southern California.

Copyright: Sylvester Private Collection 
Other artists in the Los Angeles area were also seeking Social Realist subject matter. Artists like Francis De Erdely, Richard Haines, and Mabel Alvarez were interested in depicting intriguing people of the area -- including dancers, workers, immigrants, and minorities. Artists like these as well as Henri wanted to capture the character and personality of this people -- which he does masterfully with paintings like Sylvester Smiling and Po Tse (Water Eagle).

Copyright: Tom Po Qui Denver Art Museum 
A most interesting part of the exhibition were the missing paintings by Henri. Mounted on the wall of the Laguna Art Museum were black and white photographs of paintings stated as "location unknown." As an art appraiser and historian it is interesting to think about where these paintings might be . Perhaps they are burned, lost, or hidden in the clutter of someone's basement. These might be unsigned works so a collector would not know whether it was a Henri painting. The lost painting have titles including Sylvester, Mexican Man, Mexican Woman, Ramon, Yen Tsidi, Ground Sparrow, and Machu.*

Robert Henri's California Realism, Race, and Region 1914-1925 is a must see. The Laguna Art Museum (which also has a wonderful permanent collection to note) has the Henri exhibition up until May 21, 2015. As stated in the worthwhile exhibition catalog by Grand Central Press, "Henri’s eagerness was rooted in his quest for new settings and fresh subjects. “I am now quite convinced that San Diego is one of the most interesting and beautiful places in the world and we shall head that way and will not be convinced otherwise until we have seen the place and have been turned away.”"

NOTE: Readers, if you have seen these paintings or think you have a painting by Robert Henri, please contact us.






Saturday, February 28, 2015

Borrego Art Institute Plein Air Invitational



I was recently asked to serve as juror of the upcoming Borrego Art Institute's 2015 Plein Air Invitational. While the Borrego Art Institute is only two years old, it is already attracting visitors from all over the world. Sunset Magazine's March 2015 issue highlights the desert town as well as the 2015 Plein Air Invitational.

Every year, 15 artists are asked to visit Borrego Springs for an entire week of painting. Artist will paint outdoors all day long -- and present works at the end of each day. They will hang in the gallery of the Borrego Art Institute and later be for sale. The artists included in the competition are Santa Barbara artist Marcia Burtt as well as Simon Addyman , Josh Clare, Janice Druian, Stuart Fullerton, Paul Kratter, Patty McGeeney, Clark Mitchell, Rita Pacheco, Dot Renshaw, David Solomon, Stock Schlueter, Victor Schiro, Toni Williams, James Wisnowski.

As an art appraiser, I have never had the opportunity to serve as juror of an art competition. Specializing in American art with a focus on California Modernism, I am usually asked to examine midcentury paintings or very old artworks. It is an exciting proposition to look at painting that are not yet dry.

I will judge the artworks in the exhibition based on stylist merit, composition, and technical prowess. Borrego Spring landscapes are known for their extreme beauty and the artists should have plenty of inspiration -- and I have a feeling viewers shall be inspired as well.



Monday, February 10, 2014

Pacific Northwest Artist David Marty

A reader submitted this painting by Washington artist David Marty. He purchased it last October at a thrift store in Palo Alto, California for $15!

David Marty (1951- ) was born in northern California. He studied at Art Center College of Design, Biola University, and the Scottsdale Artists School. His landscape paintings are influenced by the French and California Impressionist style. His works attempt to capture atmospheric contrasts of light and shadow.

After a bit of digging in my appraisal auction record databases, I found that David Marty’s painting have sold for as little as $375 and as much as $7,500. While auctions in general tend to be mercurial, this is a wide range of pricing for an artist. In the case of Marty it appears his later, more detailed, tonalist paintings demand the highest prices -- while his early work sell for less.

Although undated, this painting is likely an early work by the artist. It depicts a dark forest likely in the Pacific Northwest, where Marty has spent most of his life. Although well-painted, it does not have the luminosity that appears in some of Marty’s later works. He is well-known for his skill at painting atmospheric skies, which unfortunately this painting does not have.

Still, a painting of this quality in excellent condition and of this large size (20 inches by 20 inches) by Marty would likely warrant an auction estimate as high as $1,000-$3,000. A comparable painting entitled “Golden Touch” by Marty recently sold at auction in 2013 for $3,250. 

I was also able to find galleries selling Marty’s work. Retail prices can be as much as 50% higher than auction values, and would likely be priced on the higher end if sold in a gallery.

If this were appraised for resale purposes it would be estimated to have a Fair Market Value of approximately $1,500-$2,000. A treasure indeed!

*Fair Market Value Fair Market Value is defined as “the price at which the property would change hands between a willing buyer and a willing seller, neither being under any compulsion to by or to sell and both having reasonable knowledge of relevant facts.”

**This is not an official art appraisal. It is for informational purposes only. An appraisal is a legal document, generally for insurance purposes, written by a qualified expert who has examined the artwork in-person and is paid for by the owner of the item. An appraisal involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object. This article is restricted-use and is intended for educational purposes only.

-----
Alissa Anderson Campbell is an art appraiser for Anderson Shea Art Appraisals. She specializes in appraising European and American art for insurance, resale value, estate, tax, and charitable donation. Campbell is a member of the International Society of Appraisers. www.andersonshea-artappraisals.com







Tuesday, November 26, 2013

Edgar Ewing Depicts Ancient Subject for Modern Painting

Edgar Ewing "Vesalius as a Naval Surgeon" Oil on masonite

This month's artwork selection is by California artist Edgar Ewing (1913-2006). Our local reader bought “Vesalius as a Naval Surgeon” on eBay for $110. The size 12” x 6” painting is an oil on board.

Edgar Louis Ewing was born in Nebraska. As a young art student, he attended the University of Chicago, where he was given an art fellowship to study in Europe. Ewing was heavily influenced by his travels through Europe was especially intrigued by the history of Spain, Greece, Rome. Ewing eventually moved to the West Coast where he began teaching at the University of Southern California. He painted and taught alongside many other painters of the mid-century.

This portrait is part of the well-known Vesalius Series by Ewing. Andreas Vesalius was an anatomist, physician, and author of the book on human anatomy entitled, De humani corporis fabrica (On the Workings of the Human Body). Vesalius is referred to as the founder of modern human anatomy.

It is claimed that in 1565, Vesalius performed an autopsy on an aristocrat in Spain while his heart was still beating. This was deemed so atrocious to Spain’s Emperor Charles V, that he condemned Vesalius to death.

The painting depicts an ominous five-pronged hook hanging above the portrait of Vesalius, who wears a traditional naval cap and coat. Ewing paints in his signature post-cubist style, deconstructing the forms. The palette of red and black reflect the dark subject of the painting.

In researching the appraised value of this painting, it appears Ewing’s work has sold for up to $5,700 at auction, but most paintings of this size have sold between $200-$400. His large masterworks are priced as high as $10,000 in private galleries.

“Vesalius as a Naval Surgeon” is in good condition with minor signs of dust but no abrasions or paint losses. In appraising this painting, an appraiser would consider the morbid subject which means it might only appeal to a small audience. This would limit the market value. If this painting were listed for sale in a gallery it would have an estimated Retail value of approximately $500-$700. A savvy, if sinister, investment indeed!

* READERS: This is not an official art appraisal. It is for informational purposes only. An appraisal is a legal document, generally for insurance purposes, written by a qualified expert who has examined the artwork in-person and is paid for by the owner of the item. An appraisal involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object. This article is restricted-use and is intended for educational purposes only. Any portion of this text CANNOT be reproduced or copied without the consent of the author.


Tuesday, September 3, 2013

A California Modernist Artist's Pilgrimage

A most interesting painting came along this month -- by California artist Richard Haines (1906-1984). It was purchased by a Santa Barbara art collector from an estate sale. She bought it for a whopping $1,000, just because she loved it!

After some research, I found that Charles Richard Haines was born in Marian, Iowa 1906 and studied at the Minneapolis School of Art. Like many artists he became involved in the New Deal government-sponsored art program and won nine mural commissions from the Treasury Department's Section of Painting and Sculpture between 1935 and 1941. The murals were primarily done in U.S. Post Office in the midwest. In 1941, Haines moved to Los Angeles, where he began teaching at two important art schools of the time, Chouinard Art Institute and Otis Art Institute.

Haines was a founding member of California Modernist style of painting and worked primarily as a painter. A prominent mid-century Los Angeles art dealer Dalzell Hatfield said Richard Haines's paintings “[capture] a meandering silence, a pause in time, a captive moment, all of which tend to reveal the spiritual values of humanity while depicting its physical form."

This painting entitled, “The Pilgrimage” depicts a group of religious figures walking through the desert. Nearly abstract in its decomposition (and subject), the artist appears to be influenced by both cubism and surrealism. The broken planes of color and unique palette of pink and brown give the painting a distinctive quality that is unique to Haines' work.

After a bit of art appraisal research, I discovered that few of Haines’ paintings have sold at auction. His works have sold up to $8,800 but most auction records indicate paintings selling between $500-$1,000 depending on subject, size, date, condition, and provenance. His strongest market is at auction but only a few galleries carry his work.

There are a number of artists like Haines who I appraise in and around Southern California. They were part of the California modernist artist group working during the 1940s-60s -- and their work is still undervalued. Comparable artists on the East Coast are demanding more than five times as much as these artists. Considering the skill, subject-matter, and style I believe it is a genre of work that will likely rise in value as more art collectors discover these artists’s work.

If this painting were appraised for auction purposes it would have an estimated value of approximately $800-$1,200 so our reader paid just about what it is worth on today’s market.

READERS: We need your submissions! Please email us a photo of your painting,  drawing, or sculpture for next month’s The Art Appraiser. Send the artist name, title,

Alissa Anderson Campbell is an art appraiser for Anderson Shea Art Appraisals. She specializes in appraising European and American art for insurance, resale value, estate, tax, and charitable donation. Campbell is a member of the International Society of Appraisers. Ph. 805.616.2781/www.andersonshea-artappraisals.com

* This is not an official appraisal. It is for informational purposes only. An appraisal is a legal document, generally for insurance purposes, written by a qualified expert who has examined the artwork in-person and is paid for by the owner of the item. An appraisal involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object. This article is restricted-use and is intended for educational purposes only.


Thursday, July 18, 2013

Samuel Thal: American Scene Painter

Samuel Thal "Farm" circa 1940s, Oil on canvas

This painting by American artist Samuel Thal (1903-1964) is was purchased by a local reader through an online auction in Connecticut. These days, it is easy for anyone to find artworks at online auctions throughout the world. Our reader bid on this painting without even seeing it! Although it was estimated to sell between $800-$1,200, she snatched it up for $500.

Samuel Thal was born in New York City in 1903, as the son of Russian immigrants. He grew up on a farm in Hadlyme, Connecticut and studied art at the National Academy of Design and the Art Students League. Thal spent most of of his life in Boston where he studied at the School of the Museum of Fine Arts and spent many years doing architectural sculpture. By the 1930s Thal was working as a full-time artist.

He also assisted in the establishment of the art education programs under the WPA Federal Art Project. Thal also taught life drawing classes at Garland Junior College in Boston, the Boston Architectural Club and the Boston Museum of Modern Art.

This painting, "Figure in a Landscape" is a signature painting for Thal, depicting a figure overlooking his farm. Like the American Regionalists and Ashcan painters of the 1930s and 1940s, Thal depicted images of everday life in America including cityscapes, landscapes, and figures. Thal’s realist style and loose, expressionistic brushstrokes can also be compared to the style of Van Gogh's early work.

After a bit of appraisal research, I discovered that a number of Thal’s paintings have sold at auction. His auction records range from $600-$4,000 depending on subject, size, date, condition, and provenance. His strongest market is at auction with only a few galleries carrying his work -- but retail prices could be up to 50% higher in a gallery setting.

If this painting were appraised for Insurance purposes it would have a Retail Replacement Value of approximately $2,000-$3,000. *Retail Replacement Value is defined as the highest amount in terms of US dollars that would be requireda to replace a property with another of similar age, quality, origin, appearance, provenance, and condition with a reasonable length of time in an appropriate and relevant market. When applicable, sales and/or import tax, commissions and/or premiums are included in this amount.

* This is not an official appraisal. It is for informational purposes only. An appraisal is a legal document, generally for insurance purposes, written by a qualified expert who has examined the artwork in-person and is paid for by the owner of the item. An appraisal involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object. This article is restricted-use and is intended for educational purposes only.